While dated, the first four entries are relatively well-regarded by cult film enthusiasts for attempting to maintain a consistent, albeit "horny," family drama. Letterboxd For detailed user reviews and trivia, you can check the Taboo II IMDb page Taboo III Letterboxd community spin-offs? 'Taboo II' review by RogerRabid - Letterboxd

As Barbara grapples with her newfound desires, a more dangerous temptation emerges at home. Her son Paul, while dating the vivacious Sherry (Dorothy LeMay), has become increasingly aware of his mother as a sexual being. The tension culminates one night when Barbara, returning home from a failed date filled with unfulfilled lust, sees her son naked and asleep. In a moment that defines the film, she gently caresses him, initiating a passionate sexual encounter. The scene is explicit but also dramatically loaded, aiming to portray the emotional confusion rather than just the physical act.

Taboo's influence on adult comics cannot be overstated. It not only provided a platform for creators to experiment with more adult themes but also helped pave the way for future erotic comics. The series demonstrated that with great art and engaging storytelling, adult comics could achieve both critical acclaim and commercial success.

Marketed originally as the conclusion to the narrative arc, Taboo III (1984) brought the focus back to the long-term psychological aftermath of the characters' choices.

However, Taboo IV retained the franchise’s dedication to production value. It focuses on Dr. Jeremy Lodge (played by the legendary Jamie Gillis) and his family. It brings the series full circle in terms of theme: the inescapable nature of desire. It is remembered for its elaborate setups and for being the film that truly closed the book on the "classic" era of the series before the endless stream of VHS sequels diluted the brand.

: The series' success led to dozens of sequels and spin-offs through the late 80s and 90s, though most lacked the original's production focus. Taboo II (1982) - IMDb

Taboo (1980) directed by Kirdy Stevens • Reviews, film + cast

The concept of taboo has been a fascinating topic of discussion across various disciplines, including sociology, psychology, anthropology, and art. In the context of art and performance, taboo has been a recurring theme, pushing boundaries and challenging societal norms. This article will explore the evolution of taboo through the lens of four significant works: I, II, III, and IV, created between 1979 and 1985. These works, often shrouded in controversy, helped shape the discourse around taboo, influencing artistic expression and sparking conversations about censorship, morality, and the limits of creative freedom.

Kay Parker never escaped Barbara Scott. In interviews before her passing in 2022, she spoke of fans who thanked her for "helping them understand their own parents’ loneliness." She brought a Shakespearean actor’s dignity to a role that could have been pure exploitation.

: The foundational film introduces Barbara (Kay Parker), a woman coming to terms with her own desires and the breakdown of traditional social boundaries within her family. Taboo II (1982)

The early Taboo series (I-IV) was not merely a collection of explicit scenes; it was a cultural phenomenon in the adult entertainment industry between 1979 and 1985.

The story shifts focus away from Paul to Sherry (Dorothy LeMay) and her family, the McBrides. Sherry’s brother, Junior (Kevin James), becomes fascinated by his mother, Joyce (Honey Wilder), and his sister. The film expertly juggles multiple incestuous relationships: brother-sister, mother-son, and father-daughter. One reviewer humorously noted the sequel’s shift in tone, describing it as “slapstick” rather than dramatic, writing that it was “determined to screw their brains out with one another”.

series (released between 1980 and 1985) is considered a cornerstone of the "Golden Age of Porn," primarily known for its transgressive themes and high production values compared to its peers. Directed by Kirdy Stevens