[best]: Kevin Chen Head Drawing Method Hot

Finally, use a hard brush (digital) or a 2B pencil edge (traditional) to reinforce the planes facing the light source. The "hot" zones are the forehead boss, the cheekbone apex, and the chin. Everything else is a cool, soft edge.

Take photographs of faces or film stills, lower the opacity, and use a red digital brush to find Kevin Chen's structural planes on top of the real face. This trains your brain to see the geometry hidden underneath human skin. Final Thoughts

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Kevin Chen frequently teaches these techniques through courses at the Concept Design Academy .

: Students report moving from being "unconfident" to "decently comfortable" blocking out complex figures within a 10-week span. Finally, use a hard brush (digital) or a

Chen’s teaching style emerged from a frustration common among professionals: Traditional head drawing methods are too slow. While the Loomis Method (a grid-based ball-and-plane system) is the gold standard, Chen noticed that his students—and even his peers—would get lost in the construction. They would draw perfect spheres and jaw cut-outs but lose the life of the portrait.

Draw a vertical line (slightly curved to one side—never straight). Then, place the "keystone" (the forehead plane) as a trapezoid. Chen’s unique contribution is the —three decisive straight lines that carve the cheekbone, temple, and jaw plane. This creates the "hot" contrast between light and shadow families. Take photographs of faces or film stills, lower

If you want to integrate this method into your daily sketchbook routine, keep these three tips in mind: