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WeTV Indonesia has capitalized on this trend, with local originals performing strongly alongside Asian content. The platform’s Country Head noted that Indonesian viewers have shown “increasing interest in quality Asian content, confirming that Asian stories have universal appeal and are relevant to the global market”.

While local content is thriving, Indonesians remain avid consumers of international content—but preferences are shifting. A 2025 survey found that K-dramas remain dominant, but interest in C-dramas (Chinese dramas) is rapidly growing. The fantasy and historical genres of C-dramas, with their grand visuals and epic storytelling, are attracting new viewers seeking something different from the K-drama formula.

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Indonesians have a profound love for culinary experiences. Food vloggers traveling the archipelago to find the spiciest street food ( makanan pedas ) or massive portions of local delicacies drive heavy engagement. The combination of ASMR eating elements with enthusiastic, unfiltered reviews keeps viewers hooked. 3. Key Drivers of Popularity: What Makes Videos Go Viral? WeTV Indonesia has capitalized on this trend, with

Data from the Indonesian Internet Service Providers Association (APJII) reveals that two specific genres dominate the list of in the country: Pranks (Prank) and Horror (Horor) .

Some key takeaways:

While traditional "Sinetron" (soap operas) still dominate linear TV with their melodramatic plots, younger audiences are shifting to streaming platforms. Vidio and WeTV

Different platforms cater to different viewing habits across the Indonesian demographic. A 2025 survey found that K-dramas remain dominant,

About 60% of audiences favor family-themed films, while 56% gravitate toward comedies.

Indonesia’s entertainment sector is no longer just a source of domestic pride—it is becoming a serious economic driver. Investment in the country’s creative economy reached IDR 11.33 trillion in the first quarter of 2026, while exports totaled USD 7.38 billion, underscoring the sector’s growing importance to the national economy. Minister of Culture Fadli Zon has positioned the culture-based creative sector as a primary driver for Indonesia’s future growth, citing its limitless potential compared to finite natural resources.